The film shines not just because of its lead character but also due to its engaging storyline and richly developed characters.
The story begins with an emotional moment as his young daughter, who is still coming to terms with her mother’s passing, reveals troubling dreams about an enigmatic figure that visits her during the night.
Some projects take time to come to light, and “Bhairadevi,” which has been in development for a while, delves into the horror genre through the lens of Aghori traditions and malevolent spirits. Given the rarity of such stories, the film manages to captivate, especially thanks to Radhika Kumaraswamy’s portrayal of Bhairadevi—a unique female lead who is free from romantic subplots. However, there’s a hidden twist that adds depth to the narrative.
The film’s strengths lie not only in its central character but also in its intriguing storyline and well-crafted characters. Ramesh Aravind plays Aravind, a Deputy Commissioner of Police haunted by the spirit of his late wife, who tragically took her own life. The story begins with an emotional scene where his young daughter, still struggling with her mother’s death, shares disturbing dreams about a mysterious figure visiting her at night. This supernatural setup intertwines themes of family grief and unresolved mysteries.
Aravind’s bond with his daughter is designed to evoke empathy, with Lakshmi (Malavika Avinash), the teacher, acting as an important link. She expresses the child’s fears and suggests that something sinister might be hidden in Aravind’s car—a detail that piques curiosity. As he navigates his grief and the unsettling occurrences surrounding him, his colleague Veerrayya (Rangayana Raghu) advises him to consult an Aghori, a practitioner of mystical rituals.
As the narrative unfolds in Varanasi, a city rich in spiritual significance, it delves deeper into themes of faith and the afterlife. The addition of veteran actor Shivaram brings a cultural richness to the film, while the DCP’s unexplainable fears drive him to explore spirituality and liberation through Hindu rituals.
The visuals at Manikarnika Ghat powerfully evoke the eternal cycle of life and death. The chanting of ‘Om Namah Shivaya’ enhances the atmosphere, particularly during the introduction of the Aghori characters. Bhairadevi’s entrance, marked by an energetic song and vibrant choreography, is especially commendable for its ability to inspire spiritual fervor, aligning perfectly with the film’s overarching themes.
Aravind’s meeting with the Aghori, who possesses the ability to read one’s past through palmistry, acts as a metaphor for facing one’s fears. In seeking her assistance, the DCP embarks on a journey to confront the haunting presence that troubles him. As they dig deeper, chilling truths and dark secrets come to light, challenging their perceptions of life, death, and the connections that bind them, leading to a crucial moment before the interval.
In the second half, the focus shifts to Bhoomika (Radhika Kumaraswamy in her second role), Shalini’s sister and a guest lecturer in paranormal science, whom the DCP has feelings for. This subplot raises questions about Aravind’s loyalty to his late wife and his growing bond with Bhoomika. While it adds complexity, it also risks undermining the emotional weight established earlier. The introduction of Chetu (Skanda Ashok), who becomes infatuated with Bhoomika, further complicates the storyline.
Will Aravind be able to find a way to rid himself of the spectral presence with the Aghori’s help and finally put his fears to rest?
Ramesh Aravind showcases remarkable versatility, anchoring the narrative while supporting characters like Anu Prabhakar and Rangayana Raghu add moments of humor. Ramesh skillfully navigates the dual aspects of his character, with Skanda also playing a significant role. Malavika Avinash and Suchendra Prasad make brief but impactful appearances, while Rangayana Raghu infuses the story with comedic relief. Ravi Shankar’s portrayal of the Aghori is particularly striking, leaving a memorable mark despite his limited screen presence.
The first half of the film is enhanced by two energetic devotional songs composed by KK Senthil Prasath, alongside a haunting score that allows Radhika to shine. However, it’s important to note that filmmakers often hint at sequels, which can sometimes compromise the narrative’s cohesiveness. The vibrant details and lively storytelling in the first half risk being diminished by a less engaging second act. As the film explores themes of grief, love, and the supernatural, it also paves the way for potential sequels—especially regarding Bhairadevi’s relationships with other key characters. For now, Bhairadevi is a film that deserves to be experienced at least once.
Director: Shrijai
Cast: Radhika Kumaraswamy, Ramesh Aravind, Rangayana Raghu, Anu Prabhakar, Ravi Shankar, and Skanda Ashok
Rating: 3/5
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