Review of ‘Twisters’: A captivating spiritual sequel with enhanced depth.

Glen Powell has truly made a mark for himself, excelling in supporting roles in modern adaptations of classic films that bring a fresh perspective to the originals. In the movie Top Gun: Maverick from 2022, Powell portrays the character Tyler Owens, a naval aviator known as Hangman, contributing significantly to the sequel’s success and resonance. Similarly, in Twisters, a contemporary take on the 1996 disaster film, Powell’s character, Tyler Owens, evolves from a cocky and competitive persona to a reliable team player, mirroring the spirit of Hangman from Top Gun: Maverick. Owens, equipped with a meteorology degree, enjoys engaging in scientific discussions about storms, often filming daring tornado chases for his YouTube channel. Alongside his team of ‘tornado wranglers,’ including the standout Daisy Edgar-Jones, Twisters delves beyond typical disaster film expectations, intertwining elements of coming-of-age storytelling with high-stakes action sequences, all anchored by a sense of emotional depth and character growth.

In the blink of an eye, tragedy strikes as the wind snatches some of them away. The story then shifts to a time where Kate works as a storm pattern analyst at the National Oceanic and Atmospheric Administration (NOAA). Suddenly, she finds herself back in the open plains of Oklahoma, chasing storms, showcasing her expertise. This sudden change in the timeline might initially feel abrupt, making you question the purpose of the first scene. However, as you delve deeper, Twisters unfolds as a unique disaster film with unexpected intelligence.

Kate grapples with a past tragedy, carrying unresolved trauma even after years, a burden she must confront while facing the violent storms. The film skillfully portrays this aspect of her character without overshadowing the spectacle. While the character development does not entirely break new ground within the genre, having a relatable character in a popcorn flick based on a classic is praiseworthy.

Director Lee Isaac Chung, known for the acclaimed film Minari, brings an added layer of authenticity to Twisters. Hailing from tornado-prone Lincoln, Arkansas, a part of Tornado Alley, Chung infuses the visuals with realism, capturing the essence of storm chasing accurately. The film’s references to storm chasers resonate well, evoking nostalgic memories, especially for those who enjoy National Geographic.

Despite the genre’s reliance on exaggeration, requiring viewers to suspend disbelief, Twisters manages to strike a balance between spectacle and introspective moments for both the characters and the audience. While some scenes, like a chicken flying back onto a car post-tornado, may seem far-fetched, the film cleverly intertwines grandeur with reflective elements, engaging viewers on multiple levels.